[Ulrich Haarbürste's remarkable stories of Roy Orbison and the wrapping of Roy Orbison in cling-film have developed a cult following in various english-speaking portions of the globe, and perhaps in other parts where they speak other languages, but I would know nothing of this. He has since developed these stories into a full-length book, which is not yet available in America, but is most certainly available in New Zealand and England. Those of you who live in these places should purchase it, and those of you who live in other places should wait with bated breath and possibly petition local conglomerates to bring this literary work to your homeland. Story below.]
It always starts the same way. I am in the garden airing my terrapin Jetta when he walks past my gate, that mysterious man in black.
‘Hello Roy,’ I say. ‘What are you doing in Dusseldorf?’
‘Attending to certain matters,’ he replies.
‘Ah,’ I say.
He apprises Jetta’s lines with a keen eye. ‘That is a well-groomed terrapin,’ he says.
‘Her name is Jetta.’ I say. ‘Perhaps you would like to come inside?’
‘Very well.’ He says.
Roy Orbison walks inside my house and sits down on my couch. We talk urbanely of various issues of the day. Presently I say, ‘Perhaps you would like to see my cling-film?’
‘By all means.’ I cannot see his eyes through his trademark dark glasses and I have no idea if he is merely being polite or if he genuinely has an interest in cling-film.
I bring it from the kitchen, all the rolls of it. ‘I have a surprising amount of clingfilm,’ I say with a nervous laugh. Roy merely nods.
‘I estimate I must have nearly a kilometre in the kitchen alone.’
‘As much as that?’ He says in surprise. ‘So.’
‘Mind you, people do not realize how much is on each roll. I bet that with a single roll alone I could wrap you up entirely.’
Roy Orbison sits impassively like a monochrome Buddha. My palms are sweaty.
‘I will take that bet,’ says Roy. ‘If you succeed I will give you tickets to my new concert. If you fail I will take Jetta, as a lesson to you not to speak boastfully.’
I nod. ‘So then. If you will please to stand.’
Roy stands. ‘Commence.’
I start at the ankles and work up. I am like a spider binding him in my gossamer web. I do it tight with several layers. Soon Roy Orbison stands before me, completely wrapped in cling-film. The pleasure is unexampled.
‘You are completely wrapped in cling-film,’ I say.
‘You win the bet,’ says Roy, muffled. ‘Now unwrap me.’
‘Not for several hours.’
I sit and admire my handiwork for a long time. So as not to make the ordeal unpleasant for him we make small talk on topical subjects, Roy somewhat muffled. At some point I must leave him to attend to Jetta’s needs. When I return I find he has hopped out of my house, still wrapped in cling-film. The loss leaves me broken and pitiful. He never calls me. He sends no tickets. The police come and reprimand me. Jetta is taken away, although I get her back after a complicated legal process.
There is only one thing that can console me. A certain dream, a certain vision…
It always starts the same way.